The text has nine pages and is played and posed, almost floating above each of the twenty banks. Particularly noteworthy of these versions, more detailed and meticulous than the rest. It has multiple brands, subtitles, pink with yellow central ideas, dates, orange, green names. He also made brief annotations with pencil.
The author, whose name was Wood, an American or English, and that means that each sentence will be short and concise, and each paragraph will have a remarkable internal cohesion as well as spun perfectly with the previous and next. Ana and Elena, who read the text more than once, they know that. Studied both English and approved international scrutiny, but their knowledge only been applied to reading for pleasure and brief conversations with foreign students, because Europe is not yet known.
The characters are, therefore, three: Elena, Ana and text, but could also include your author. But simplify.
Ana Elena and look, each from its position, each fulfilling their role. They sense, but do not know, certain things that unite them. Some are extremely commonplace, and that fit thirty-six and have put a tapadito gray, others less so, as they like the cold, avoid fried and cry Lost in Tokyo. Others, finally, are difficult to classify. For example, since girls are filled with the head of certain ideas as "you have to be a lawyer" or "you have to leave here." Somewhere on their person, they agree. They are also pretty cute, "such eyes," that little girl hair. " Her beauty and her intelligence were reasons for that men chose. But as there are exceptional, also stopped at times, ugly or stupid. In the case of them all depends on the crystal with which they are viewed.
Elena and Ana live in contradiction, exhaustion, doing fairly well, dividing the time and head, confused, stressed, pulled to the right hand and left. Both remain on the tightrope, splendid and poor, painful and brilliant, opaque and shiny. Mistakes were too lenient, too easy with someone, sometimes too hard. They nonsense and made things right. Elena and Ana are, therefore, somewhat similar, and perceive. But at this moment each acting according to their role and that role is defined precisely by the third actor: the text. It is Ana who should speak, and does, fine. His tone of voice, cadence, absolute clarity and completeness of the ideas expressed, everything is fine. But not enough. Elena that is not enough. However, sadistic, perverse as a dentist, he leaves end. Thereafter, the watch and with a smile makes a gentle rhetorical questions to confuse, what is the axis? What is the hypothesis? What is the fundamental idea?. After all, its class, is the time, and can do whatever you want. Ana, which has become all the stupid and poor Anne, answers such as, bad, silly and increasingly poorer. Someone says something and something else happens.
Ana Elena looks and knows he did something good. She was the same, complicated simple, it was hard to find a synthesis, it was difficult to make a point of view , and it bothered him so much mark errors. Learned, through experience, now knows it. Gives a final word that sounds like pennies falling on the hat of a blind man playing the flute, you're very smart, Anna, soon you will overcome this.
Ana, meanwhile, look at this other woman is Elena. Feels humiliated and minimal, especially with those scraps of intelligence. Who is she to say? Just gave me some lessons. Want to ask permission and withdraw, or pretend not to care and get to take notes as others, but is frozen, staring at his teacher. Class finally ends and Ana gets a dirty bathroom where mourn. Cries of humiliation, anger and nerves but he knows that above all cries of despair that causes the idea of \u200b\u200bhaving to wait yet a little longer to be so after all wants to be, another learned powerful and awesome, another real bitch.
